![]() So, in order to explore the extent and character of that development it has made sense to allow the development to continue hour after hour, but also to record multiple instances of a “single” composition at similar lengths, both as audio files and as midi files. But because the software introduces gradual and partially random development into the composition as it unfolds, the sameness is relative - particularly as that development is allowed to continue. ![]() ![]() All of the various tracks that will make up relays & reconstructions are instances of a single composition assembled in Wotja, the generative music software I’ve been using on most of the hors du troupeau tracks. ![]() (November 11) - The song remains the same - more or less.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |